Top 25 albums of 2006

Posted on December 6th, 2006 in music by dja

Well, it’s that time of year again—that time when all the obsessive list-making indie fans turned bloggers like myself go crazy making year-end best-of lists—and this year is no different. The quantity of good albums was way less than average this year (I could barely find 30 to even consider for the top 25), but the quality more than made up for it. Pretty much each album listed here rocked my pants off and the entries near the top are among some of the best albums I’ve ever had the pleasure to listen to. Anyway, to the list we go~!!

EDIT/// This list has been amended. I just recently found out that Vaux’s Beyond Virtue, Beyond Vice was released in 2006 (I had always thought it was 2005). That album jumped to #14, bumping Thom Yorke’s The Eraser off the list.

On the fringe: The SoundsDying To Say This To You; Yo La TengoI Am Not Afraid Of You And I Will Beat Your Ass; Sunset RubdownShut Up I Am Dreaming; Repeat RepeatRocket Pack, No Rocket Pack; Mates Of StateBring It Back; The Black AngelsPassover; Frank BlackFast Man/Raider Man; The Twilight SingersPowder Burns; Rock Kills KidAre You Nervous?; CaptainThis Is Hazelville; Thom YorkeThe Eraser
025 The Walkmen
A Hundred Miles Off
[Record Collection]
Moody New York hipsters’ third album is cool, cocky, and filled with brash moments that recall vintage rock and roll.

High point: Don’t Get Me Down (Come On Over Here)

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024 Two Gallants
What The Toll Tells
[Saddle Creek]
The second album from this Californian duo is an earnest, booze-laden mixture of folk-punk and good old fashioned Southern rock.

High point: Steady Rollin

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023 Sparklehorse
Dreamt For Light Years In The Belly Of A Mountain
[Capitol]
Esteemed Indie recluse returns with fourth album of bizarre lyrics and morose pop melodies that masquerade as playful and sanguine.

High point: Knives Of Summertime

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022 Uncut
Modern Currencies
[Paper Bag]
Overlooked Canadian band delivers a luscious and energetic album layered with breathy vocals and shoe-gazy guitars that swirl and sparkle amongst themselves.

High point: Out Of Sight

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021 …And You Will Know Us By The Trail Of Dead
So Divided
[Interscope]
Seminal post-hardcore outfit’s fifth full-length is hopeful, introspective and ultimately a viscerally creative foray into the finer aspects of the genre.

High point: Wasted State Of Mind

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020 Sophia
Technology Won’t Save Us
[Flower Shop]
Laced with wistful melodies and moody lyrics that fall just short of hopeful, this veteran band’s sixth album hits in all the right places.

High point: Pace

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019 You Should Go Ahead
You Should Go Ahead
[Chiado]
Portugal dance punks deliver a remarkable debut that combines post-punk and synth-rock influences with a dark, modern edge.

High point: Seventy-One

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018 White Rose Movement
Kick
[Independiente]
European electroclash revivalists create fusion of frantic paranoia, throbbing beats and dramatic synth-pop that’s entrancing, disturbing and mesmerizing.

High point: Kick

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017 Band Of Horses
Everything All The Time
[Sub Pop]
Seattle folk rockers’ debut is a gorgeous blend of pensive lyrics, chilling vocals and exuberant reverb that bring images of the Pacific Northwest to mind.

High point: The Funeral

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016 The Draft
In A Million Pieces
[Epitaph]
Following singer Chuck Ragan’s departure, remaining members of Hot Water Music regroup to write an explosive album of mouthwatering punk bursting with folk-punk melodies and blistering gusto.

High point: Wired

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015 Ratatat
Classics
[XL]
Instrumental electronic rockers’ sophomore effort combines danceable hooks with vintage synths to form a jawdroppingly stimulating collection of tantalizing beats and erotic melodies.

High point: Wildcat

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014 Vaux
Beyond Virtue, Beyond Vice
[Vx/Outlook]
Colorado punk band goes all Radioheady on second full-length, resulting in an epic record exploding with moody atmospherics and ethereal melodies.

High point: The Last Report From

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013 Brand New
The Devil And God Are Raging Inside Me
[Interscope/Tiny Evil]
New York outfit’s third album continues to expand its emo-flavored pop/punk with additional texture, neurotic lyrics and a willingness to experiment.

High point: Degausser

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012 Sound Team
Movie Monster
[Capitol]
Texas band’s major label debut spans a wide gamut of styles and influences, rendering indie rock’s recent past into a tangible, cohesive microcosm.

High point: TV Torso

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012 Sparta
Threes
[Hollywood]
Former members of At The Drive-In finally find their stride with the addition of ex-Engine Down guitarist Keeley Davis. The result is a cacophonous fusion of haunting vigor and divine melodies.

High point: Crawl

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010 Duels
The Bright Lights & What I Should Have Learned
[Nude]
Energetic Brits’ debut is loaded with memorable power-pop balladry, occasional synths and vibrant, spirited moxie.

High point: The Slow Build

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009 Rocky Votolato
Makers
[Barsuk]
Fourth solo album by displaced Texan is a deceptively simple, western-flavored collection of genuine musings backed by melancholy, acoustic folk.

High point: Portland Is Leaving

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008 Benoît Pioulard
Précis
[Kranky]
Michigan Avant-Gardist’s hypnotizing debut is an unbelievably stunning assemblage of ambient folk rock with an understated delicacy that rides the crest of delusion.

High point: Ext. Leslie Park

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007 Portugal. The Man
Waiter: “You Vultures”
[Fearless]
Fractured and deliberately ambiguous, these Alaskans offer up an artsy take on dance punk that’s schizophrenic, alluring, and barely avoids pretentiousness.

High point: Elephants

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006 Silversun Pickups
Carnavas
[Dangerbird]
Californian band’s fuzz-drenched debut is a brilliant overhaul of mid-90s alternative rock that hinges on androgynous vocals and huge hooks.

High point: Well Thought Out Twinkles

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005 The Yeah Yeah Yeahs
Show Your Bones
[Interscope]
Art school paramours burst back on the scene with a delicious second helping of charming art punk that trumps their debut with brooding, reflective heartache.

High point: Way Out

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004 The Knife
Silent Shout
[Rabid]
Swedish weirdos combine eerie synths and freakish vocals to produce a beautifully primal dreamscape that’s vicious, haunting and utopian.

High point: Marble House

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003 I Love You But I’ve Chosen Darkness
Fear Is On Our Side
[Secretly Canadian]
Austin band’s first full-length is a sinister modernization of post-punk doused in a chilling nocturnal decor that’s every bit as desolate and paranoid as its title would indicate.

High point: Lights

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002 Built to Spill
You in Reverse
[Warner Bros.]
Doug Martsch and Co. return from five year hiatus with their most accomplished and focused effort to date—a dramatic album that’s simultaneously grandiose, inconspicious and explosive.

High point: Mess With Time

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001 Bears
Bears
[Carrot Top]
An obvious choice, this unsigned Cleveland band’s self-released debut is a near-perfect collection of psychedelically tinted folk-pop that’s altogether saccharine, vivacious and breathtaking.

High point: Everywhere

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11 Responses to 'Top 25 albums of 2006'

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    on December 9th, 2006 at 9:38 pm

  1. Chi said,

    I was thinking about which CD to buy tomorrow when I go to Barnes & Noble. Because of this list, I’m going to buy the new Ratatat one! (That’s probably not what you want to hear though because you hate CDs :/) I have about 50 other albums I have to buy as well.. but I guess they can wait a few more months. Oh, and I also wanted to say that you should listen to some Jean Leclerc (formerly known as Jean Leloup) because you might like him!

    I sooo have to listen to Uncut. They sound awesome. My new favorite thing is canadian flavor indie. Plus, Paper Bag Records rock and have connections to some of the greatest bands. Deadly Snakes, anyone?

    That’s all!

  2. on December 9th, 2006 at 11:40 pm

  3. dja said,

    It’s ok.. I just ordered Classics on vinyl a couple weeks ago.

    Uncut is awesome.. but personally I thought their last album was actually better.

    “Copilot” is one of the greatest songs ever recorded

    also,Deadly Snakes rule!!

    Lovingly yours,
    dja

  4. on December 13th, 2006 at 8:18 am

  5. Sebastian said,

    If/when I get around to this I believe only two of your 25 will make my list.

  6. on December 15th, 2006 at 11:22 am

  7. Jill Morton said,

    Wow, what about Saturna’s “…All Night”. That album rocked!

  8. on December 22nd, 2006 at 8:36 am

  9. Ohad said,

    WOW

    this is the only other top 2006 albums list where i’ve seen Bears except for mine….

    +1

  10. on January 14th, 2007 at 11:54 pm

  11. shoe said,

    bears was top of my charts too. wicked.

  12. on January 16th, 2007 at 9:57 am


  13. [...] “These guys get a LOT of hate from places I’d suspect would like them, and a lot of love from people who I’d expect to hate. I don’t see anything wrong with it.” ( Central Village ) “Californian band?s fuzz-drenched debut is a brilliant overhaul of mid-90s alternative rock that hinges on androgynous vocals and huge hooks.” ( explodingNOW!!! ) “Le son du shoegazing est de retour avec les californiens des Silversun Pickups et leurs murs de guitares distordues. C’est au milieu de la chanson Lazy Eye que le frisson décisif m’a parcouru. Pas révolutionnaire, sans doute, mais comme c’est bon ! ” ( Blogotèque ) “The best commercial rock album of 2006. It just happens to be on an indie label.” ( Water Cooler Gossip ) [...]

  14. on January 17th, 2007 at 3:43 am


  15. [...] “La wave è ancora tra di noi e la voce gliela danno gli I Love You But I’ve Chosen Darkness.” ( Indie For Bunnies ) “Austin band?s first full-length is a sinister modernization of post-punk doused in a chilling nocturnal decor that?s every bit as desolate and paranoid as its title would indicate.” ( explodingNOW!!! ) “With all that seemingly working for the former members of Paul Newman and Windsor for the Derby still delivered an amazing listen in 2006.” ( ScissorKicks ) [...]

  16. on January 17th, 2007 at 3:48 am


  17. [...] “…with this album the knife have found their trademark sound making their music immensily creepier but, ironically, at the same time more beautiful drawing the listener completely into the twisted little world they’ve created. ( Motel De Moka ) “The Knife are the hope of the future. Artists, writers, creeps, and ghouls. Fun and dark, like a clown getting stabbed, The Knife made everyone listen and the remixes doubled what was already amazing.” ( Cobain In Coma ) “Swedish weirdos combine eerie synths and freakish vocals to produce a beautifully primal dreamscape that?s vicious, haunting and utopian.” ( explondingNOW!!! ) “Silent Shout works best when listened as an album due to the consistent themes of darkness (accentuated by the cover art), similar synth sounds and Dreijer’s threaded narrative. The result is a rare achievement in dance music, an intelligent album of beauty and intrigue.” ( nialler9 ) “The throbbing nature of Silent Shout comes off freely, establishing the album as one of great variety and passion.” ( Obscure Sound ) [...]

  18. on February 12th, 2007 at 7:20 pm

  19. John said,

    good call on the Bears record. Silversun pickups at #6 though… it must mean that numbers 2-5 are hot fiyah.

  20. on March 21st, 2007 at 10:37 am

  21. Peter said,

    pleeese i live in spain with frequent visits to england. Where can i get hold of these discs?

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